Hi, it's Ben. I like films (among many other things), and here are some places you can find me talking about them. I'm a podcaster, film critic/writer, and general swiss army man. Currently based in Singapore but you might find me lost in other countries. Open for writing collaborations/commissions, sidequest projects, and, honestly, almost anything you could think of.
Deep Cut is a director-focused film podcast featuring deep-dive discussions about international, art-house, and independent cinema. I co-host with my friends Wilson and Eli.
Eli sits down with programmer Madeline Whittle to chat about this year’s edition of SCARY MOVIES, which showcases the latest offerings in horror from all around the world. Maddie talks about her relationship with horror films, the process of selecting films for SCARY MOVIES XIV,…
LISTEN NOW →The Kinetoscope is a newsletter following my personal journey discovering and thinking about cinema.
The first time I saw Singapore Minstrel was in 2016, when it premiered at the Asian American International Film Festival. I was interning at the festival in New York City, unpaid but especially optimistic as I continued to undertake my Film Studies like it would be my life. In many ways it has been and continues to…
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I built and currently run filmbulletin.sg which aggregates film listings. Easily find showtimes and film screenings outside your regular cinema all in one place.
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finding love is hard enough. try doing it on the one night everyone forgets you're spiderman, i hate this night
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Yearning is loops and spirals, loops and spirals, endlessly involving, but when it does invariably end, does love begin?
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"In a time of apparent magic..." This is the title card that opens The Odyssey and as much as it is the best Nolan-esque movie ever made, and it is very well made, that word "apparent" says so much…
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It's Nolan's best movie. It's the Nolanest: sad dads, survivor's guilt, competence porn, etc etc. It's also his most emotional movie and it only took him adapting one of our oldest stories to find…
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Very peculiar movie from Kurosawa, which means I liked it. I love a character like Nimura whose main trait seems to be that... he's dumb? It's so odd, with strange plot developments, but still feels…
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Takes a story with immense grief and pairs it with a really relaxed rhythm, great characterisation, mature storytelling, and for some reason, 2 Mad Max Fury Road references, peak knows peak?
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Might be able to find world peace if everyone had to wear a badge for fucking enquiries Good! Ofc we should all listen to you Penelope Cruz. I'd also dial it back with some of the score, the talking…
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can't believe no one told me this was doppelganger cinema Iwai has a way of smashing the past and the present into each other in sublime ways
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thinking of how i can smoothly incorporate "vex" into my daily vernacular an ending that is possibly narratively surprising, but emotionally not, you already knew
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Entirely well-considered, nuanced and complex without being moralistic. It's very engaging despite the lack of direct plot drive because it is thematically complex; my mind was firing on all…
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utterly strange, off-kilter, then veering straight into the transcendent and human. goes from weirdly funny one moment to utterly soul-crushing the next, which makes all the sense: life's a joke and…
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Largely like the concept but there's a much more honed version of this (not necessarily shorter, but probably) to achieve its ends. Maybe an experiment that's largely experimental such that the…
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It's pretty much the first act of Spielberg's AI taken to dull extremes. There's a kid-robot Nobody Knows movie here that could've been kinda interesting, but instead we keep following a married…
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